Monthly Archives: August 2017

Is successful self-publishing just a matter of luck?

The other day I looked in on a writer’s forum I used to frequent. One of the new authors was expressing her disappointment over her lack of sales. Apparently, she had published a book three months ago and had only sold three eBooks. She asked if any of the other writers had ever felt like calling it quits but stuck it out and ended up successful. She was looking for success stories to boost her morale.

What she got in return were a number of comments citing the depressing odds against any self-published author. Only a small fraction of self-published authors are actually making money. The dismal doomsday comments were coming from fellow self-published authors.

Basically, I felt they were saying—it’s not your fault—it’s not our fault—that we can only make a couple dollars as an author. The odds are just against us.

Not necessarily. Sometimes it is the author’s fault. I’m not suggesting making a living as a self-published author is a sure thing if you follow specific steps; it isn’t. Like any entrepreneurial endeavor there are risks and challenges. Yet, sometimes the reason for a lack of financial success has nothing to do with the odds being stacked against you—sometimes it’s simply because the author failed to recognize what it takes to be a successful self-published author.

After reading that author’s post I started asking myself—what does it take to make a living doing this? After all, I have been doing it for six years now.

I came up with the following list:

  1. Ability to Write Something Others Want to Read
  2. Business Plan
  3. Hard Work
  4. Stacking the Deck in Your Favor

Ability to Write Something Others Want to Read

The old cliché “putting the cart before the horse” comes to mind when I think of some aspiring self-publishered authors. They have failed to hone their craft yet are anxious to push the publish button.  Mastering your craft might involve: writing classes, involvement in critique groups—yet most of all, writing. And more writing. Once you’ve learned how to properly string words together the next challenge is finding the story readers want.

I remember when Stephenie Meyer’s Twilight series was all the rage. I recall reading some posts from aspiring authors harshly critiquing Meyer’s writing ability. Instead of accusing those authors of suffering from a severe case of sour grapes—I would suggest it isn’t sour grapes they should be ashamed of, but the fact they completely missed a valuable writing lesson.

Perhaps Meyer’s prose needed some work. But the fact was, she had the story readers wanted to hear. And I don’t care how polished and perfect your prose may be, if you don’t have the story, you have nothing. Those authors would have better served paying less attention to the technical imperfections of Meyer’s writing and more to her storytelling ability.

Business Plan

When you are a self-published author you have two jobs. It isn’t just about the writing. If you hope to make money as a self-published author this requires you to treat the endeavor as a business.  That author who was complaining about her lack of sales, she obviously had no business plan. She had published a 61-page book of erotica, overpriced it, and then sat back waiting for the money to roll in. That is not a great business plan.

Hard Work

Like anything worthwhile it takes hard work. One of the more successful self-published authors I know is Russell Blake. Russell spent so many hours in front of the computer, hammering out one book after another, that he decided to invest in a treadmill desk. It was either that or fall over at the desk from lack of exercise.

Russell didn’t start making money on his first book. He didn’t publish one book and then sit back and wait for the money to come flowing in. No, he kept writing. I know of only one self-published author who hit it big on her first book, yet even she invested hours of hard work in the project.

One author friend told me he didn’t start making money until he had published the tenth book in his series. While I’ve had an amazing year, I also have more than twenty-five full-length books published.

Early on, I was taught by successful self-published authors that one essential ingredient for success in this business is to regularly publish. One book isn’t going to do it, and writing and publishing four or more books a year takes a lot of work.

Stacking the Deck in Your Favor

When I say stacking the deck in your favor I am thinking of four things.

  1. Get the book professionally edited.

Even if the author is a professional editor, I believe he/she needs another set of eyes. Since I published my first novel in 2011, I’ve worked with six different professional editors. I’ve had some of my books edited three or four times. Even then, there have been mistakes and reviewers who have pointed out my errors. I shudder at those writers who hit publish without sending their manuscript through an editing process.

  1. Get a professional book cover appropriate for your genre.

I checked out the book cover of that author I mentioned—the one who was discouraged over her lack of sales. To be blunt, her cover was horrid and obviously homemade. And it went horizontal instead of the standard vertical format. Perhaps if it had been a stunning cover, the horizontal look might have signaled to the reader that this author had something special and different for them. Instead, it simply shouted, I have no clue what I am doing.

  1. Polish your blurb. This is the summary potential readers read to determine if they want to read your book. It’s what they normally read after the book cover catches their attention. You need a hook to reel them in.

To be honest, I hate writing blurbs. I kind of suck at it. Fortunately, there are other writers out there who are very good at writing blurbs and are willing to help.

  1. The final item in stacking the deck: re-edit the preview.

After the cover catches a reader’s attention, and the blurb reels them it, it is the preview that has to clinch the deal.

Double and triple edit the first part of your book—the section that will show up in preview. Because if your book has typos or other errors, you don’t want them to show up when the potential reader is previewing the book. That author I mentioned—well I didn’t just look at her cover, I read her preview. There were glaring typos in the first paragraph.

Of course, she is not alone. The first word, in the first novel I published—Lessons—was supposed to be Alexandra, the main character. Yet, it was typed Alexander. That book went through at least three editors before that error was discovered. And guess what? None of the editors found it—I did.  But for a long time that glaring error remained in the preview—and the book.

I suspect I would not be doing as well as I am now if I had ignored my mistakes, never re-edited, wrote less, refused to do those publishing tasks I disliked, and had ignored  the advice of some of my earlier mentors.

There are no guarantees an author will make anything by self-publishing. But I do believe, for a serious author who is willing to make the commitment and put in the hard work, it is within the realm of possibility.

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Beyond those eyes…

Those Eyes

Are those my husband’s eyes,
looking up at me?
Could it be my nose
that I now see?
A touch of him
a hint of me
blended by God
… expertly.

I wrote that poem a number of years ago. It’s included in my book, Motherhood. However, it’s not just our features we can pass down to our children—it’s other things, like stubbornness, creativity, or an entrepreneurial spirit.

I’m blessed to be sharing this publishing adventure with our daughter, Elizabeth. She has her degree in Graphic Design and is a freelance graphic artist, specializing in book covers.  When I was in high school, I—like my daughter—took a special interest in art. However, unlike Elizabeth, I veered off to photography and writing in college, leaving my art aspirations behind. Elizabeth persevered. Plus, she is far more talented than I ever was.

Our son Scott is in restaurant management. It’s not surprising he got into the business, since both his grandparents and parents once owned restaurants. It was something he grew up around. However, he also has a keen interest in photography—as I once did.

Lately he’s been filming using his drone and posting his videos on YouTube. I take special interest in what he’s captured along the Oregon coast—since my Haunting Danielle series takes place in the fictional town of Frederickport, Oregon, along the Oregon coast, south of Astoria.

Our son and his wife live in Portland. Their love of the Oregon coast—and our visits to that area when we would visit them—is what inspired me to select that location for my Haunting Danielle series.

If you’d like to get a view of the Haunting Danielle real life territory—or would like to check out some of Scott’s other scenic videos, click on about video.

(If the video is not showing at the top of this page, refresh the page and it should appear.)

Confessions of an Ex-Erotica Writer

When people learn I am an author—especially when they realize I am actually making my living off my books—one of the most frequent questions they ask me, “Have you always wanted to be a writer?”

Yes. Even before I became an avid reader I was making up stories in my head or trying to figure out how to phrase a description of something I was observing. In sixth grade I wrote our class play, and at fourteen I wrote my first book—more a novella considering it was just under a hundred typed pages.

I never struggled with reading as a child, yet I preferred to be read to. I used to nag my older sister to read me Nancy Drew or the Box Car Children. It wasn’t until we moved to Lake Havasu when I was in eight grade—and without television—that I discovered my love for reading.

What was the book that got me started? The Valley of the Dolls. Considering that is the book that hooked me into reading for pleasure at the tender age of thirteen, I suppose it’s not that surprising that when I started publishing eBooks I wrote erotica.

To be clear, I wrote more than just erotica. But erotica paid the bills back then.

It happened like this…

Until we moved back to Havasu to take over my parent’s business, Havasu Palms, I used to publish a monthly community magazine. What I wrote back then were non-fiction articles—my favorite being articles of local history which involved extensive research. I sold the publication when we moved to Havasu in 1991.

When I was still working for Havasu Palms I wrote two books. One, was Where the Road Ends, Havasu Palms Recipes and Remembrances. It was a book of local history which we self-published in paperback. We sold the book at Havasu Palms, a book store in Lake Havasu City, and eventually in the Lake Havasu Museum.

The second book was a romance, Lessons. It was not the first book of fiction I had ever written. In college, I wrote a screenplay which I turned into a book. Before Lessons, I wrote one other romance, and started several others. But, I never had the patience to send manuscripts off to publishers or editors—plus it was costly back then. In those days, you had to print out the entire book and send it off to the various publishers. I could not afford the postage or printing costs.

The years went by, and we were no longer managing Havasu Palms. Now Don and I were Realtors. But then the crash of 2008 came along, and we realized it was not financially feasible for both of us to continue in a business where we both relied on commission to pay our bills. Don remained in real estate, and I decided to go back to my first love, writing.

For over three years I wrote for the infamous content supply company, Demand Studios. Each week I hammered out one nonfiction article after another. Over time, it became tedious—and work became harder to find. About this same time a new writing opportunity was emerging—self-publishing eBooks.

I self-published my first book of fiction at the end of 2011. It was Lessons, which I released under the pen name, Anna J. McIntyre. Before publishing, I sent the manuscript off to an editor I had met at Demand Studios, and I had my daughter, who was a professional graphic designer, design the book cover.

I soon learned it took more than one published book to make a living—and writing a book took a considerable amount of time. Plus, I was still spending many hours writing for Demand Studios.

One day I stumbled across an author blog by another romance author. She was experimenting with erotica, and found there was some good money being made. Fifty Shades had been published—yet it hadn’t yet been acquired by its current publisher, nor had it yet become well known.

I decided to give erotica a try. Frankly, it sounded fun. I was weary of writing boring how-to articles or dry non-fiction for Demand Studios, and I needed a change. I’ve always had a wild imagination. For me, erotica was not about graphic sex. It was about telling imaginative stories where the characters just happen to have sex. And in case you are wondering—back in the day, the stories I wrote did not violate any publishing policies of the venues where I published.

The erotica I wrote was geared toward women readers, and they focused heavily on the story and the characters. Some, I will confess, pushed the envelope in what might be considered acceptable. But as a writer, sometimes it’s about pushing the envelope.

I wrote short stories, about 10,000 words or less and sold them for $2.99 each. This enabled me to crank out a new story every week or two.  If I was to charge 99 cents, I would only make 35 cents per eBook sold, which meant I would have to sell a LOT of books to make a living.

I didn’t get rich, but I did make a livable salary for a couple years. Plus,  the experience improved my writing.

But then two things happened. I grew bored with writing erotica—and Fifty Shades became a phenomenal bestseller. The latter meant every struggling (and some non-struggling) writer was jumping into the erotica market. But, they were not cranking out short stories, they were giving readers full length books—some even charging just 99 cents per book.

As I mentioned, I was already bored with writing erotica. I certainly had no desire to commit my energy to full length books, nor to price the books so low that it would be harder to make a living. One problem with erotica, authors are limited in their advertising options.

I abandoned the erotica and turned my attention to what I consider my more serious work. Eventually, I unpublished my erotica—from all venues. It no longer fit in with my publishing objectives.

For the last four years I’ve devoted my writing energy to my Haunting Danielle series, which I write under my own name—no pen name.  While one of my Haunting Danielle characters may occasionally exchange a kiss, that’s about as far as it goes.

One might wonder if because of last week’s kerfuffle with Barnes & Noble, when our Nook Press account was about to be terminated, that I might regret ever having published erotica. Had I not done that, then I probably would never have been targeted by Nook Press.

But no, I can’t regret it. Because without my experiences writing and publishing erotica, I seriously doubt I would be where I am today in my writing career. And frankly, I am exceedingly happy at where I find myself today.

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