Why we write what we write.

I have published over thirty books. They’re not all live anymore. Several I’ve since unpublished.

Each book has a story. I’m not talking about the story the book tells, but the story behind why the book was written in the first place.

Recently I asked some of my fellow authors why they wrote the first book they ever published. Their answers were varied. Some authors were inspired to write because of an event or dream. Others saw it as a challenge or culmination of a long-held goal. One thing I learned, we don’t all write for the same reason. In fact, authors don’t necessarily write all their books for the same reason.  I know I don’t.

I’ve decided to do a series of blogposts called Each book has a story. In each post I will be featuring one of my books. I won’t necessarily focus on the story the book tells, as much as why I wrote the book in the first place.

The first book I’m featuring is Motherhood, a book of poetry.

In 1982 my husband and I moved to the mountain village of Wrightwood, California. At the time we had a three-month-old daughter and a three-year-old son. We lived fulltime in Wrightwood for the next nine years. It was during those years I wrote most of the poems contained in my book, Motherhood.

The reason for writing the poems was fairly simple. I wanted to express my experiences as a mother—capture what I felt. As the years went by, I would jot down the poems that came to me.

I shared the collection with family members—my sister, mother, mother-in-law. The first books were pages reproduced on a copy machine and bound in a homemade quilted cover.

Years later, when my daughter Elizabeth attended the Art Institute, majoring in Graphic Design, she needed an idea for her senior project. We discussed various ideas, and she eventually decided to format my book of poems and design its cover and create graphics to accompany the poems.  When she was finished, she self-published the book at Lulu for her class.

The project was a personal one and never intended as a commercial endeavor. Yet, I eventually created the eBook version and sold it, along with the paperback, online.

In Amazon its description reads: Motherhood a book of poems is a collection of whimsical prose, featuring the assortment of poignant experiences unique to women who have loved and nurtured sons and daughters. The range is broad, capturing the swiftness of time, moments of quiet, times of chaos, frantic fear, yet most of all, unconditional love.

Today, my daughter, Elizabeth, is a professional freelance graphic designer, and her specialty is book covers. She designs my book covers and covers for many well-known New York Times Bestselling authors. You can see her work here.

Motherhood was her first book cover.

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Stormy Weather: Cockygate Hits the Indie World

On Friday I watched as Twitter exploded with something that has since come to be known as #cockygate. I suspect by now most serious indi-authors already know about it. In fact, one popular writer’s group with over 21K members closed its virtual doors by putting up a Taking a Break sign and informing members that they were shutting off all postings for the rest of the weekend and suggesting its members all write, edit and spend time with their families. While all those are good suggestions, #cockygate was still a thing when Monday arrived. Maybe even more so.

For those who haven’t been on social media and ask what is cockygate?

It’s about a romance author named Faleena Hopkins who has trademarked the word “cocky.” I know she has at least two trademarks for the word. One trademark is for the word when written in a specific font style (a font she didn’t have the right to trademark according to its creator). The other is simply for the word cocky. According to Hopkins, her trademark means the word cocky cannot be used in any romance book title or series.

Already there is a petition being generated to ask the United States Patent and Trademark Office to revoke her trademark. The last time I looked it had over 16K signatures. Including mine. I know of at least one attorney who claims he has submitted a request to have her trademark revoked, and RWA and other big hitters in the publishing industry are reportedly looking into the matter.

Online, Hopkins has been called a bully for the letters she sent fellow authors, demanding they change book tiles or face serious legal action, and some authors are having their books removed from Amazon based on Hopkin’s claim. On the other side, Hopkins is calling her many distractors bullies, in their treatment of her.

Hopkins’ trademark may not directly impact me, yet that doesn’t mean I’m not paying close attention to this case. While book titles can’t be copyrighted (in fact it is very common to have a number of books with the same title), it seems it might be possible to trademark a common word and prevent other authors from using that word in their book titles. If that is true—well, the possible ramifications are troubling. If an author publishes a book not knowing one of the words is trademarked—or about to be trademarked, it can cost that author significant time and money retitling the book. And if Amazon pulls the book—which seems to be happening—and disables the author’s ability to edit the book to bring it into compliance, it can be a devastating loss of income for the author.

I cringe at the thought someone might decide to claim ownership of Haunting or Ghost when it applies to book titles in my genre. Before #cockygate that seemed like a silly notion. Not so much now.

I suspect most authors have no problem with Hopkins trademarking an original logo or multi-word series name. It’s the fact she’s claiming ownership over one common word, and she’s not even the first romance writer to use the word in a title or series. Other romance authors used cocky before her.

I can understand an author’s desire to protect his or her work. I can even understand the resentment an author may feel when they believe other people are stealing their ideas. However, some authors go too far and get over-possessive, even a little paranoid. Take for example book covers.

Some over-possessive authors need to realize it’s simply the nature of the business. BookCover 101 teaches us that it’s not about having a unique cover as much as a cover that fits with the genre—a book that screams to the reader, this is the type of book you are looking for! It’s the reason Fabio was on so many romance covers back when trade publishers ruled the industry.

It also drives me crazy when an author gets possessive about stock images he or she has used on a cover. The reason those stock images are so affordable is because you aren’t purchasing exclusive use rights. In my opinion, an author has no right to jump on another author for using the same stock image.

If an author wants a unique cover, then hire an artist to create one. The house on my Haunting Danielle series was created by my cover designer; it’s not a stock image. I have the exclusive use rights. If you don’t want to see the images you purchased showing up on another book cover in your genre, then you need to pay a photographer and models to create something unique.

Authors can also get possessive over character names. Considering there are millions of books out there, and even more characters, I find it silly to get territorial over a first—or even a last name. I’ve heard of some authors contacting other authors and demanding that they change their character’s name because it’s the same name they used in one of their books. I can’t help but shake my head at the overblown ego of such a demand.

However, if an author has a right to be annoyed, it would probably be the bestselling author Janet Evanovich. And who could she could be annoyed at? Me.

When I named one character Joe Morelli, (Joe for my son-in-law and Morelli for a family friend) in the first book in my Haunting Danielle series, I was unaware of Joe Morelli of the popular Stephanie Plum series. To make matters worse, both Joes are cops.

It’s not something any reasonable author would intentionally do. If a Stephanie Plum fan happens to read one of my Haunting Danielle Books, it could very well piss them off. Readers get attached to their favorite characters. Why would I intentionally do something that could annoy potential readers? Why would any author?

Had I known about the original Joe Morelli before I had more than two books out in the series, I would have changed my character’s name. But it was too late by then. I’ve come to realize this sort of thing happens. It’s simply the nature of the business. And seriously, if I wasn’t aware of Evanovich’s popular character, then it’s a little absurd for other less-known authors to imagine someone is looking over his or her shoulder, waiting to grab a character.

In this business of self-publishing I think we need to be building our bridges, not burning them. Unfortunately, there seems to be a major bridge fire burning out of control on social media.

 

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