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How much is Walt like Walt?

Walt Marlow is one of the main characters in my Haunting Danielle series. Some of my readers, along with my friends who are familiar with the series, know I named the character after my father. What they might not know, the character also shares Dad’s middle name, Clint, and both the character and my father’s real name is Walter, but both went by Walt.

When readers first meet Walt Marlow in The Ghost of Marlow House (Book 1 of the Haunting Danielle series), Walt is the ghost mentioned in the title. Our main character, Danielle, discovers Walt Marlow—the house’s previous resident—still residing in the house after she inherits it. Danielle assumed the house had been vacant for decades before she moved in. But surprise, it comes with a ghost.

Did Dad inspire the character? Yes…and no.  In the beginning, when naming the character I wanted an old fashioned name. My character, Walt Marlow, was born in 1899 and died three years before Dad was born. While they weren’t of the same generation, I felt the name Walt would also work for someone born in my grandparents’ generation.

I didn’t start out to pattern the character after Dad. But when looking back, I realize that in many ways I unconsciously did just that. 

First, let’s start with how Dad isn’t like Walt Marlow. Marlow loves to read and owns an impressive library. Dad wasn’t one to sit around and read a book. Although, he did enjoy listening to Mom read aloud when they would take their long car trips across the state from Havasu to visit family.

Dad excelled in math, not reading. He preferred to be doing something outdoors, as opposed to indoor activities. He was a general contractor working primarily in commercial construction before we moved to Havasu Palms.  He was fully capable of performing the jobs of his subs—such as framing, plumbing, and electrical. He learned cabinet making as a young man from skilled craftsmen and designed our homes—along with the restaurant, new marina, and mobile home expansion at Havasu Palms. He fixed the antiquated heavy equipment at Havasu Palms, graded the dirt road into the park, and learned to fly a plane. If he couldn’t figure out how to fix something on his own, he often relied on instruction manuals, long before the days of how-to YouTube videos.

The similarities between Dad and Walt Marlow are more of a personal nature. Like Dad, Marlow deeply loves his family and close friends. He’s fiercely loyal, protective, and is prepared to help those he cares about at a moment’s notice. While Marlow, like Dad, are products of their generations and tend to hold old fashioned views about women—neither is a misogynist nor intimidated by a strong woman. 

In many ways, each of them is a feminist, but I doubt either would describe themselves that way. Both have a reverence and respect for motherhood and childbirth which they display by showing respect toward women and by being fiercely protective. 

Both are animal lovers. I remember how Dad cried for months after Fritzy, our family’s schnauzer, died. About a year later we finally convinced them it was time to get another dog. With Marlow, he’ll be able to communicate with the dogs and cats he loves—in this world or the next.

Walt Marlow often charms people, and when I think of Dad, he also had a way of charming people who met him. Dad, like my character, had a way of garnering respect. 

Yet, sometimes Walt Marlow acts a bit impulsively—which can get Danielle in trouble. Like the time he took it upon himself to pack for Danielle’s cousin, Cheryl. If you read the book, you will know what I am talking about.

Looking back, I witnessed my father behaving in a similar impulsive way. One incident stands out to me. Some teenager was racing around the mobile home park at Havasu Palms on his motorcycle. Dad, tired of telling the guy to stop racing around the park impulsively snatched the teenager’s bike keys and tossed them in the lake.

Yeah, I could see Walt Marlow doing that.

Photo: Walt Johnson

The Ghost and Wednesday’s Child here!

It’s the official release day of The Ghost and Wednesday’s Child, the 36th book in my paranormal cozy mystery series, Haunting Danielle. The last time I checked, it was ranked as the number one new release under Ghost Mysteries over on Amazon. 

You can find it in eBook and paperback format at my online bookstore. You can find links here to purchase the books at Amazon, Barnes & Noble, Apple, Kobo, Google, and Smashwords.

The large print paperback should be available any day now at Amazon. The audiobook will be out June 24, 2025.

The next book in the series—The Ghost and Christmas Magic—comes out the end of November and is available for preorder at my online bookstore, Amazon, Barnes & Noble, and Apple.

A heads up on something—when you preorder at Amazon, you won’t pay for the book until it is delivered while it’s necessary to pay when you preorder on some other sites, including my online bookstore. However, when you preorder from my online bookstore, you will receive the eBook a few days earlier than the official release date.

Why is that?  The prepay thing is more a technical thing I can’t change—I don’t have the same options as a large site as Amazon to offer that option.  As for the early delivery from my online bookstore, that is because Amazon and the other sites require book files be uploaded days before the official release date. 

When uploading the finished files, they are typically loaded to all the websites on the same day. Unlike sites like Amazon, once the finished file is uploaded, I have the option to release it on the same day.

So, if you want to preorder, you have several options to consider when selecting your vendor of choice.

If you are looking for the audiobook version of The Ghost Who Sought Redemption, it is slated for release May 27, 2025. 

Hope you enjoy the new book!

Cancelled for being “Woke”

I’ve a file where I store emails from readers. It’s labeled “Fans” which is inaccurate, because some emails are from readers who’ve discovered something they dislike about my books and feel compelled to share their opinion with me. Fortunately, most of the correspondence is favorable, which is why I haven’t bothered to re-label the file.

When looking through the file this morning I came across two emails received from the same reader, on the same day, back in February of this year.

In the first email the reader begs me to kill off a character who she dislikes, telling me the character makes her want to stop reading. Since I wanted readers to dislike that character, I suppose that is sort of a win on my part. Yet, I don’t want the unlikable character to chase away readers.

I contemplated how to respond, as I try to respond to all emails. Yet, sometimes life gets in the way, and I don’t get to everyone. Before I had the chance to respond, that reader sent a second email. It read:

Oh wow! That’s it for me. Again, I am on book 24.  You have now added “white guilt”.  Good grief. Does everyone need to feel they need to be woke? I’m now done with your books.  I will not recommend them, or purchase any in the future.  

I decided to look up the definition of woke, as it pertains to urban slang. According to Merriam-Webster’s online dictionary, woke means,aware of and actively attentive to important societal facts and issues (especially issues of racial and social justice)”

It also stated it is a “general pejorative for anyone who is or appears to be politically left-leaning.”

The only conclusion I can draw after reviewing the definition of woke is that my storyline in Book 24, The Ghost and the Silent Scream, made that reader uncomfortable. 

Did I add white guilt? I don’t think so. To me, a book with white guilt implies adding exaggerated racial content to a story for no reason other than to inspire guilt from white people. That’s not what I did.

Authors find story fodder in all sorts of places, such as personal experiences and history. I’ve always enjoyed using history as story fodder and as inspiration. In my Coulson Family Saga, written under my Anna J. McIntyre pen name, I heavily used American history as story fodder and as a backdrop to the story that unfolds over the five books. 

Did I do it to guilt out men, because a good chunk of the story was about women and how their place in American society changed over a century? No. I simply told a realistic story, and if it made some readers uncomfortable, I think they need to look in the mirror.

Haunting Danielle is a paranormal cozy mystery series, that sometimes involves murder. When reading about murder, readers typically want to learn, by the end of the book, who committed the murder and why. When looking for plot inspiration I often turn to history, especially when many of my characters come from the 1920s. 

In The Ghost and the Silver Scream, the only thing I could find that the disgruntled reader may have seen as white guilt was a storyline that involves parents who have disowned their daughter for falling in love with a Black man, which sets off a chain of events.  

So, how did I respond to that reader? I didn’t. She is entitled to her opinion, and no reader is obligated to recommend my books, or purchase them.

I will confess, I am a little perplexed as to why—at Book 24—this reader decided to be offended. I have to assume she read the prior 23 books. Most of my readers read Haunting Danielle books in order, as they are chronological, and I don’t advise jumping into the middle of the series.  

In previous books I’ve addressed what some might consider woke topics, such as how it used to be illegal for Blacks to reside in Oregon, and storylines have included Oregon’s early history with the KKK. This began in the first book in the series. But maybe it was another woke thing that bothered the reader.