Bobbi Ann Johnson Holmes

Stormy Weather: Cockygate Hits the Indie World

On Friday I watched as Twitter exploded with something that has since come to be known as #cockygate. I suspect by now most serious indi-authors already know about it. In fact, one popular writer’s group with over 21K members closed its virtual doors by putting up a Taking a Break sign and informing members that they were shutting off all postings for the rest of the weekend and suggesting its members all write, edit and spend time with their families. While all those are good suggestions, #cockygate was still a thing when Monday arrived. Maybe even more so.

For those who haven’t been on social media and ask what is cockygate?

It’s about a romance author named Faleena Hopkins who has trademarked the word “cocky.” I know she has at least two trademarks for the word. One trademark is for the word when written in a specific font style (a font she didn’t have the right to trademark according to its creator). The other is simply for the word cocky. According to Hopkins, her trademark means the word cocky cannot be used in any romance book title or series.

Already there is a petition being generated to ask the United States Patent and Trademark Office to revoke her trademark. The last time I looked it had over 16K signatures. Including mine. I know of at least one attorney who claims he has submitted a request to have her trademark revoked, and RWA and other big hitters in the publishing industry are reportedly looking into the matter.

Online, Hopkins has been called a bully for the letters she sent fellow authors, demanding they change book tiles or face serious legal action, and some authors are having their books removed from Amazon based on Hopkin’s claim. On the other side, Hopkins is calling her many distractors bullies, in their treatment of her.

Hopkins’ trademark may not directly impact me, yet that doesn’t mean I’m not paying close attention to this case. While book titles can’t be copyrighted (in fact it is very common to have a number of books with the same title), it seems it might be possible to trademark a common word and prevent other authors from using that word in their book titles. If that is true—well, the possible ramifications are troubling. If an author publishes a book not knowing one of the words is trademarked—or about to be trademarked, it can cost that author significant time and money retitling the book. And if Amazon pulls the book—which seems to be happening—and disables the author’s ability to edit the book to bring it into compliance, it can be a devastating loss of income for the author.

I cringe at the thought someone might decide to claim ownership of Haunting or Ghost when it applies to book titles in my genre. Before #cockygate that seemed like a silly notion. Not so much now.

I suspect most authors have no problem with Hopkins trademarking an original logo or multi-word series name. It’s the fact she’s claiming ownership over one common word, and she’s not even the first romance writer to use the word in a title or series. Other romance authors used cocky before her.

I can understand an author’s desire to protect his or her work. I can even understand the resentment an author may feel when they believe other people are stealing their ideas. However, some authors go too far and get over-possessive, even a little paranoid. Take for example book covers.

Some over-possessive authors need to realize it’s simply the nature of the business. BookCover 101 teaches us that it’s not about having a unique cover as much as a cover that fits with the genre—a book that screams to the reader, this is the type of book you are looking for! It’s the reason Fabio was on so many romance covers back when trade publishers ruled the industry.

It also drives me crazy when an author gets possessive about stock images he or she has used on a cover. The reason those stock images are so affordable is because you aren’t purchasing exclusive use rights. In my opinion, an author has no right to jump on another author for using the same stock image.

If an author wants a unique cover, then hire an artist to create one. The house on my Haunting Danielle series was created by my cover designer; it’s not a stock image. I have the exclusive use rights. If you don’t want to see the images you purchased showing up on another book cover in your genre, then you need to pay a photographer and models to create something unique.

Authors can also get possessive over character names. Considering there are millions of books out there, and even more characters, I find it silly to get territorial over a first—or even a last name. I’ve heard of some authors contacting other authors and demanding that they change their character’s name because it’s the same name they used in one of their books. I can’t help but shake my head at the overblown ego of such a demand.

However, if an author has a right to be annoyed, it would probably be the bestselling author Janet Evanovich. And who could she could be annoyed at? Me.

When I named one character Joe Morelli, (Joe for my son-in-law and Morelli for a family friend) in the first book in my Haunting Danielle series, I was unaware of Joe Morelli of the popular Stephanie Plum series. To make matters worse, both Joes are cops.

It’s not something any reasonable author would intentionally do. If a Stephanie Plum fan happens to read one of my Haunting Danielle Books, it could very well piss them off. Readers get attached to their favorite characters. Why would I intentionally do something that could annoy potential readers? Why would any author?

Had I known about the original Joe Morelli before I had more than two books out in the series, I would have changed my character’s name. But it was too late by then. I’ve come to realize this sort of thing happens. It’s simply the nature of the business. And seriously, if I wasn’t aware of Evanovich’s popular character, then it’s a little absurd for other less-known authors to imagine someone is looking over his or her shoulder, waiting to grab a character.

In this business of self-publishing I think we need to be building our bridges, not burning them. Unfortunately, there seems to be a major bridge fire burning out of control on social media.

 

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Writers need to rethink age adjectives.

When my grandmother was in her eighties, someone asked her the age of one of her friends. Her answer, “He’s not very old. About my age.

She wasn’t being flip or funny, it was a sincere reply. When retelling her answer, we all laughed. But now, over fifty years later, I realize the joke’s on us.

The other day I read an online article about a 71-year old Georgia woman named Judy Tucker, who had gotten herself arrested after some pretty reprehensible behavior on her part. One thing that caught my attention was that a number of news sources had referred to her as an elderly woman.

The description elderly doesn’t just conjure up visions of age, it also made me wonder if this woman was suffering some sort of dementia due to her advanced age, which might explain her outrageous and bigoted behavior. But then I looked at her picture and thought—she doesn’t look that old.

From my perspective 71 doesn’t seem all that old anymore. I can think of many 70-something friends who I don’t consider elderly.

I looked up the definition of elderly online and according to Merriam-Websterit means: rather old;  especially  : being past middle age

I then looked up the definition of middle age. According to Merriam-Websterit is: the period of life from about 45 to about 64.

In one way I am relieved. According to Merriam-Webster I am still in my middle age—until this coming November.  Does that mean I will then be elderly? Just how past middle age is elderly? One day? One year?

Writers need to think twice before using a word like elderly to describe a person just because that person’s birth falls after middle age. While Judy Tucker didn’t seem like a very nice woman, I don’t understand why they called her elderly. Just state her age and remove the additional adjectives that don’t accurately depict the subject.

Another thing—writers often refer to a person as a Grandmother, as if that image conjurers up sweet little silver haired ladies baking cookies.  It’s often used when that woman has done something that contradicts the grandma stereotype—like when she has robbed a bank or single handedly taken down a mugger. I feel the writer tosses in that adjective for shock effect.

In my opinion, in most of those instances stating the woman is a grandmother makes as much sense as pointing out she’s a Pisces or dyes her hair. Fact is, any woman can become a grandmother—and it doesn’t say anything about her character or age. My aunt was a grandmother at age 35—that’s not even in the middle-age range.

(Photo: Our friend Dave Walsh taking my mother for a motorcycle ride. She was 85-years old when the picture was taken.)

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