The summer between my Freshman and Sophomore year of high school I decided to write a book. At the time our family was living on Lake Havasu, and my summers were spent working at Havasu Palms’ small convenience store and marina. It could get a little boring working at the store, so I hauled my manual Royal typewriter to work with me and would sit behind the counter in my bathing suit, working on my manuscript when I wasn’t waiting on customers or stocking shelves. My friends inspired my characters. It was a mystery, sort of love story, about a bunch of teenagers, told by the family dog’s perspective. I called it The Privileged Ones.
My next manuscript was also a mystery, based on a screenplay I wrote for a college course. Characters in that book were college age. I used the same title for the book that I used for the screen play, which was, Mischief or Murder?
In my 30s and 40s I was a voracious romance reader. Favorite authors during that time included Julie Garwood, Judith McNaught, Jude Deveraux, Johanna Lindsey, and Kathleen E. Woodiwiss. Inspired by my favorite authors, I decided to write an adult romance. It’s setting was based on a fictionalized Havasu Palms. I called it, Desire at Chief’s Head
I may have finished The Privileged Ones, Mischief or Murder, and Desire at Chief’s Head, but they will remain unpublished. I think of them as my practice novels.
After finishing my first romance, I decided to start another one. I called it After Sundown. Life got in the way, so instead of finishing the book, I tucked the manuscript in a box and forgot about it.
Fast forward to 2012, and I have already published Lessons and The Senator’s Secret (which eventually became Coulson’s Lessons and Coulson’s Secret, books 3 and 4 in the Coulson Family Saga.) I decide to write a standalone romance under my Anna J. McIntyre pen name and dug out my unfinished manuscript.
The problem with After Sundown—which I didn’t realize at the time—it was influenced by many of the romances I had read years earlier—and romances had evolved, readers had changed, and frankly my male protagonist was more in line with those found in books 30 years earlier.
When my mother beta read the book, she told me she hated the male protagonist, Cole Taylor in the story. He could be something of a jerk. So, I toned him down, yet not enough. If you read its reviews, you’ll see many of the reviewers agreed with Mom. I personally saw Cole as a flawed individual who evolved, and while he did behave inappropriate early in the book—much of it was because of his life experiences—I thought he had redeemed himself by the end of the story. Unfortunately, a significant number of readers disagreed with me.
I may have a soft spot for Cole Taylor—but I’m afraid many of my readers didn’t. It’s not like everyone hated the book, some people actually gave it five stars.
I’ve no regrets writing After Sundown, and I have no desire to rewrite it to make Cole more likable to more readers. Cole Taylor simply is who he is, and I have moved on.
On Friday I watched as Twitter exploded with something that has since come to be known as #cockygate. I suspect by now most serious indi-authors already know about it. In fact, one popular writer’s group with over 21K members closed its virtual doors by putting up a Taking a Break sign and informing members that they were shutting off all postings for the rest of the weekend and suggesting its members all write, edit and spend time with their families. While all those are good suggestions, #cockygate was still a thing when Monday arrived. Maybe even more so.
For those who haven’t been on social media and ask what is cockygate?
It’s about a romance author named Faleena Hopkins who has trademarked the word “cocky.” I know she has at least two trademarks for the word. One trademark is for the word when written in a specific font style (a font she didn’t have the right to trademark according to its creator). The other is simply for the word cocky. According to Hopkins, her trademark means the word cocky cannot be used in any romance book title or series.
Already there is a petition being generated to ask the United States Patent and Trademark Office to revoke her trademark. The last time I looked it had over 16K signatures. Including mine. I know of at least one attorney who claims he has submitted a request to have her trademark revoked, and RWA and other big hitters in the publishing industry are reportedly looking into the matter.
Online, Hopkins has been called a bully for the letters she sent fellow authors, demanding they change book tiles or face serious legal action, and some authors are having their books removed from Amazon based on Hopkin’s claim. On the other side, Hopkins is calling her many distractors bullies, in their treatment of her.
Hopkins’ trademark may not directly impact me, yet that doesn’t mean I’m not paying close attention to this case. While book titles can’t be copyrighted (in fact it is very common to have a number of books with the same title), it seems it might be possible to trademark a common word and prevent other authors from using that word in their book titles. If that is true—well, the possible ramifications are troubling. If an author publishes a book not knowing one of the words is trademarked—or about to be trademarked, it can cost that author significant time and money retitling the book. And if Amazon pulls the book—which seems to be happening—and disables the author’s ability to edit the book to bring it into compliance, it can be a devastating loss of income for the author.
I cringe at the thought someone might decide to claim ownership of Haunting or Ghost when it applies to book titles in my genre. Before #cockygate that seemed like a silly notion. Not so much now.
I suspect most authors have no problem with Hopkins trademarking an original logo or multi-word series name. It’s the fact she’s claiming ownership over one common word, and she’s not even the first romance writer to use the word in a title or series. Other romance authors used cocky before her.
I can understand an author’s desire to protect his or her work. I can even understand the resentment an author may feel when they believe other people are stealing their ideas. However, some authors go too far and get over-possessive, even a little paranoid. Take for example book covers.
Some over-possessive authors need to realize it’s simply the nature of the business. BookCover 101 teaches us that it’s not about having a unique cover as much as a cover that fits with the genre—a book that screams to the reader, this is the type of book you are looking for! It’s the reason Fabio was on so many romance covers back when trade publishers ruled the industry.
It also drives me crazy when an author gets possessive about stock images he or she has used on a cover. The reason those stock images are so affordable is because you aren’t purchasing exclusive use rights. In my opinion, an author has no right to jump on another author for using the same stock image.
If an author wants a unique cover, then hire an artist to create one. The house on my Haunting Danielle series was created by my cover designer; it’s not a stock image. I have the exclusive use rights. If you don’t want to see the images you purchased showing up on another book cover in your genre, then you need to pay a photographer and models to create something unique.
Authors can also get possessive over character names. Considering there are millions of books out there, and even more characters, I find it silly to get territorial over a first—or even a last name. I’ve heard of some authors contacting other authors and demanding that they change their character’s name because it’s the same name they used in one of their books. I can’t help but shake my head at the overblown ego of such a demand.
However, if an author has a right to be annoyed, it would probably be the bestselling author Janet Evanovich. And who could she could be annoyed at? Me.
When I named one character Joe Morelli, (Joe for my son-in-law and Morelli for a family friend) in the first book in my Haunting Danielle series, I was unaware of Joe Morelli of the popular Stephanie Plum series. To make matters worse, both Joes are cops.
It’s not something any reasonable author would intentionally do. If a Stephanie Plum fan happens to read one of my Haunting Danielle Books, it could very well piss them off. Readers get attached to their favorite characters. Why would I intentionally do something that could annoy potential readers? Why would any author?
Had I known about the original Joe Morelli before I had more than two books out in the series, I would have changed my character’s name. But it was too late by then. I’ve come to realize this sort of thing happens. It’s simply the nature of the business. And seriously, if I wasn’t aware of Evanovich’s popular character, then it’s a little absurd for other less-known authors to imagine someone is looking over his or her shoulder, waiting to grab a character.
In this business of self-publishing I think we need to be building our bridges, not burning them. Unfortunately, there seems to be a major bridge fire burning out of control on social media.